Make no mistake,
Richard Hickox's recording with the
BBC National Orchestra of Wales of
Edward Elgar's Symphony No. 1 in A flat major is a brilliant achievement, and listeners who discover the work through this astonishing-sounding SACD will be thoroughly delighted with it. However, those who know the symphony from the classic EMI recording by
Adrian Boult and the
London Philharmonic Orchestra may find that
Hickox is quite relaxed and leisurely in his pacing, in marked contrast to
Boult's tightly controlled and fairly urgent rendition.
Elgar instructed that the piece should be played "elastically and mystically," and one can turn to his 1930 recording to get an idea of the fluid effect he desired, though his use of rubato and flexible tempos seems to fall between
Boult's and
Hickox's. That said, there is much to enjoy about this deeply felt and powerful performance, which is full of the generosity and compassion
Elgar wished to convey; the orchestra is both scintillating in its impressionistic colors and glorious in its moving statements of the noble main theme. Somewhat less essential to most listeners is Gordon Jacob's 1947 orchestration of
Elgar's Organ Sonata, Op. 28, which was a fairly youthful work that does not approach the subtlety of the symphony, and seems a bit bombastic in this exuberant arrangement. Chandos' reproduction in both works is spectacular, and the wide frequency range delivers true pianissimos, as well as resounding fortissimos.