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(C) 2019 Christophorus
Title
Pop.
Time
Sonata F major - Carl Friedrich Abel
- Flute Sonata in F Major, Op. 6 No. 5, WK 127: I. Adagio
03:30
- Flute Sonata in F Major, Op. 6 No. 5, WK 127: II. Allegro
04:11
- Flute Sonata in F Major, Op. 6 No. 5, WK 127: III. Vivace
03:10
Adagio C major - Johann Joachim Quantz
- Adagio for Flute in C Major, QV 1:7
04:48
Amor ist mein Lied - Variations - Carl Philipp Emanuel Bach
- Bachus und Venus, H. 698, Wq. 202d "Amor ist mein Lied" (Arr. L. Dean & A. Lawrence-King for Flute & Harp)
04:23
Sonata b flat minor - Franz Benda
- Flute Sonata in E Minor, L3.57: I. Largo, mà un poco andante
02:58
- Flute Sonata in E Minor, L3.57: II. Arioso, un poco allegro
04:47
- Flute Sonata in E Minor, L3.57: III. Presto
Fantasia D minor - Georg Philipp Telemann
- Flute Fantasia No. 6 in D Minor, TWV 40:7: I. Dolce
- Flute Fantasia No. 6 in D Minor, TWV 40:7: II. Allegro
01:15
- Flute Fantasia No. 6 in D Minor, TWV 40:7: III. Spirituoso
01:05
Sonata G major - Georg Benda
- Flute Sonata in G Major, LorB 642.b: I. Allegro moderato
05:42
- Flute Sonata in G Major, LorB 642.b: II. Andantino
04:29
- Flute Sonata in G Major, LorB 642.b: III. Allegro moderato
02:54
Komm, Gott, Schöpfer, heilger Geist - Johann Philipp Kirnberger
- Komm Gott Schöpfer heilger Geist, EngK 209 (Arr. for Flute & Basso continuo)
03:24
Sonata D major - Johann Gottfried Müthel
- Flute Sonata in D Major: I. Adagio
06:00
- Flute Sonata in D Major: II. Allegro ma non troppo
05:02
- Flute Sonata in D Major: III. Cantabile
03:46
Siciliana (from: Sonata E flat major) - Johann Sebastian Bach
- Flute Sonata in E-Flat Major, BWV 1031: II. Siciliano
02:42
The Empfindsam or “sentimental” style of music embodied by Carl Philipp Emanuel Bach and his contemporaries was a direct response to the most modern literary in Germany and intellectual currents of their time. It developed with the rise of the middle class in the later eighteenth century and its hallmarks are subjective feelings, extreme displays of emotion and the triumph of feeling over reason. The use of harp on this recording is unprecedented, but upon reflection directly in keeping with the tendencies of the age. The subtleties of dynamics and articulation possible on this instrument make it an ideal companion to the transverse flute; together this instrumental duo is excellently suited to the expressive needs of the “Empfindsamer Stil”. © Christophorus
by Laurence Dean
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