* En anglais uniquement
Vocalist and songwriter
Alasdair Roberts is an artist whose music is deeply rooted in the folk traditions of his native Scotland. However, while he honors Scottish folk music in its essential form, he's not averse to working with indie rock artists, or with musicians who see folk music as a jumping-off point for creative experimentation. First making his name with the rural folk project
Appendix Out,
Roberts began recording under his own name with 2001's
The Crook of My Arm. His original material evoked the sound and spirit of past centuries, whether performing with just his acoustic guitar to guide him (as on 2015's
Alasdair Roberts), collaborating with other vocalists (2012's Urstan with
Mairi Morrison), or working with the versatile Norwegian folk ensemble
Völvur (2021's
The Old Fabled River).
Alasdair Roberts' career as a recording artist grew from a hobby to a career that earned him an international following when a demo he made with
Appendix Out found its way into the hands of American nouveau folkie
Will Oldham.
Oldham identified with
Appendix Out's sound, which fused past and present, enough that he released their first recording, the 7" titled "Ice Age" b/w "Pissed with You," on his own Palace Records label in 1996. The momentum from this affiliation with
Oldham sparked not only a series of split 7" releases (with the likes of
Songs: Ohia and Policecat), but also led to a recording contract with well-regarded Chicago indie label
Drag City.
After
Appendix Out's third release for the label in February 2001,
Roberts immediately recorded and released his first solo album on Secretly Canadian,
The Crook of My Arm. While his output with
Appendix Out always referenced the influences of folksingers such as
Alex Campbell and
Shirley Collins,
The Crook of My Arm embraced them via sparse readings of 12 traditional numbers with
Roberts accompanied only by his acoustic guitar. For his third release of 2001,
Roberts teamed up with
Oldham and songwriter
Jason Molina of
Songs: Ohia under the moniker Amalgamated Sons of Rest, and the three contributed to and backed up each other's songs. In 2002,
Roberts returned his attention to
Appendix Out for the EP A Warm and Yeasty Corner, a handful of well-chosen covers that appear oddly side by side, including a tribute to British folk cult artist
Vashti Bunyan with her tune "Window Over the Bay" and a tip of the hat to
the Magnetic Fields by way of "Josephine."
Roberts followed this a year later with his second solo release,
Farewell Sorrow, which garnered more critical acclaim and showcased the development of his songwriting, growing tendrils around the roots of the British and Scottish folk traditions. The stark and beautiful
No Earthly Man arrived in 2005, followed by the more band-oriented
Amber Gatherers in 2007. Two collections, the full-length
Spoils and the EP
Wyrd Meme, were released in 2009, while
Too Long in This Condition arrived the following year.
Roberts and singer, actress, and playwright
Mairi Morrison then collaborated on the half-traditional, half-original collection of Gaelic songs Urstan, which was released in early 2012. His second album under the
Alasdair Roberts & Friends moniker -- the accomplished, self-penned, full-band set
A Wonder Working Stone -- was released in January 2013, and later the same year he collaborated with poet Robin Robertson on Hirta Songs, an exploration of the archipelago of St. Kilda. His eighth proper solo album, a thoughtful, self-titled collection that harked back to his sparse debut, was released in 2015. Arriving two years later,
Roberts' ninth album,
Pangs, found him returning to the electric guitar and working in a power trio format with longtime collaborators
Alex Neilson and
Stevie Jones. Released in 2018, the ambitious What News was a collaboration with classical keyboardist
David McGuinness and experimental electronic artist
Amble Skuse. Together the trio tackled arrangements of ancient traditional ballads, using a mix of period and modern instrumentation.
Roberts followed a similar approach on 2019's
The Fiery Margin, which found him and his band balancing between the graceful and calm on one hand and the playfully discordant on the other. For his next project,
Roberts was approached by
Hans Kjorstad, a fiddler from Norway whose group
Völvur was a folk ensemble that also had roots in jazz and experimental music. The group's approach was an ideal match for the guitarist and singer, and
Roberts and
Völvur teamed up to record 2021's
The Old Fabled River. ~ Gregory McIntosh