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Tony Williams' death in 1997 of a heart attack after routine gall bladder surgery was a major shock to the jazz world. Just 51,
Williams (who could be a very loud drummer) seemed so youthful, healthy, and ageless even though he had been a major drummer for nearly 35 years. The open style that he created while with the
Miles Davis Quintet in the mid- to late '60s remains quite influential, and he had a long list of accomplishments during the decades that followed.
Williams' father, a saxophonist, took his son out to clubs that gave him an opportunity to sit in; at 11, the youngster already showed potential. He took lessons from
Alan Dawson, and at 15 was appearing at Boston-area jam sessions. During 1959-1960,
Williams often played with
Sam Rivers, and in December 1962 (when he was barely 17), the drummer moved to New York and played regularly with
Jackie McLean. Within a few months he joined
Miles Davis, where his ability to imply the beat while playing quite freely influenced and inspired the other musicians; together with
Herbie Hancock and
Ron Carter he was part of one of the great rhythm sections.
Williams, who was 18 when he appeared on
Eric Dolphy's classic
Out to Lunch album, stayed with
Davis into 1969, leading his own occasional sessions and becoming a household name in the jazz world.
In addition to his interest in avant-garde jazz,
Tony Williams was a fan of rock music, and when he left
Miles he formed the fusion band
Lifetime, a trio with
Larry Young and
John McLaughlin. After leading other versions of
Lifetime (one of them starring
Allan Holdsworth),
Williams stuck to freelancing for a time, studied composition, and toured with
Herbie Hancock's V.S.O.P. band. By the mid-'80s, he was heading his own all-star hard bop group which featured
Wallace Roney as a surrogate
Miles Davis and a repertoire dominated by the drummer's originals (including the standard "Sister Cheryl"). After breaking up his longtime quintet in 1995,
Williams gigged a bit with a trio, recorded a very interesting set of original music for the Ark 21 label, and seemed to have a limitless future. His premature death makes one grateful that he started his career early and that he was extensively documented. ~ Scott Yanow