* En anglais uniquement
Based around band founder
Dan Bejar's rakish vocals and obtuse songwriting persona,
Destroyer has been in a constant state of evolution since starting out in 1995.
Bejar split his time between
Destroyer and other bands of note like the
New Pornographers and
Swan Lake, among others, but
Destroyer gradually grew from their
Bowie-esque indie folk of their early recordings into far more ambitious experiments with arrangement, instrumentation, and delivery.
Bejar's laid-back yet theatrical songwriting presence sits at the center of every phase
Destroyer goes through, from the acoustic-leaning melodrama of 2004's
Your Blues to the cinematic lounge pop of 2011's
Kaputt to experiments with synthesizers and spoken word on albums like 2020's
Have We Met and 2022's Labyrinthitis.
Dan Bejar started
Destroyer as a solo project in Vancouver, British Columbia in 1995. His first album, 1996's
We'll Build Them a Golden Bridge, was an electric folk record, setting the stage for the early
Bowie comparisons that were certain to follow his particular vocal style. In 1998,
Bejar added a rhythm section and took it into the studio for the first time. The resulting recording,
City of Daughters, was a sparsely produced collection of catchy pop songs in which
Bejar's increasingly unusual lyrics started to stand out.
Thief, again recorded in Vancouver, was released in 2000, but by then the lineup had expanded into a quintet. The sparse production and the
Bowie comparisons remained, but
Bejar's cryptic lyrics and unique voice came into their own as
Destroyer continued taking shape. In the meantime,
Bejar, along with
Carl Newman of
Zumpano, was one of the songwriters responsible for the much-acclaimed
New Pornographers debut, Mass Romantic (Mint Records), released that same year.
In 2001,
Destroyer's fourth album,
Streethawk: A Seduction, picked up right where
Thief left off. His next release, 2002's
This Night, was an oblique and melodic album that portrayed
Bejar as a ranting, depressed singer. It marked his first record for Merge. Arguably his quirkiest material yet was captured on 2004's
Your Blues.
Bejar collaborated with touring partners
Frog Eyes on 2005's
Notorious Lightning and Other Works, a six-track EP containing re-recorded versions of material from
Your Blues with
Frog Eyes as the backing band. He also contributed three songs to
the New Pornographers' critically acclaimed Top 50 album
Twin Cinema and spent the better part of that year on tour with the Canadian supergroup. February 2006 saw the release of
Destroyer's Rubies, a return to the guitar-based sound of
This Night with a touch of
Streethawk-era drama.
After devoting some more time to
the New Pornographers,
Swan Lake, and a collaboration with visual artist Sydney Vermont called
Hello, Blue Roses,
Bejar returned to the sanctuary of his solo project and released his eighth record,
Trouble in Dreams, in March of 2008. The following year saw
Swan Lake's second outing,
Enemy Mine, as well as the ambient Bay of Pigs EP (
Destroyer). He contributed three tracks to
the New Pornographers' fifth studio album, 2010's
Together, before releasing 2011's
Kaputt, his ninth LP under the
Destroyer moniker and first to appear on the Billboard 200.
Kaputt's expanded instrumentation included smooth saxophones and dabblings with ambient electronics, and these additions along with markedly glossier production marked yet another phase of the band's progress.
In 2013,
Bejar issued the Five Spanish Songs EP, which featured material written by Spanish musician Antonio Luque of the band
Sr. Chinarro. The following summer brought the well-received sixth
New Pornographers record,
Brill Bruisers, which included three
Bejar-penned tunes. A second
Hello, Blue Roses album appeared in February 2015 (WZO), and
Destroyer's strings- and horns-imbued, New York-themed epic,
Poison Season, followed that summer. It returned the project to the Billboard 200.
In the spring of 2017,
the New Pornographers released their first LP without
Bejar (
Whiteout Conditions). Appropriating the original title of
Suede's song "The Wild Ones,"
Destroyer emerged that fall with
Ken. In January 2020,
Bejar presented his 11th album as
Destroyer,
Have We Met, which he described as his belated version of a Y2K album, in terms of both lyrical themes and musical personality, with arrangements heavy in vintage synthesizers. 2022's Labyrinthitis embraced experimentalism and chaos, with songs that explored gravelly spoken words, dissonant riffing, and a self-aware return to the earliest
Destroyer styles with moments of sarcastic, minimal folk-rock. ~ Terrance Miles & Fred Thomas