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The career of mezzo-soprano
Elīna Garanča had a meteoric rise following the 2003 Salzburg Festival, where she appeared to acclaim in
Mozart's La Clemenza di Tito. As critics and admirers attest, her vocal talent is immense. She has appeared on several chart-topping recordings with
Anna Netrebko and on the Grammy-winning
Vivaldi opera album Bajazet, with soprano
Patrizia Ciofi.
Garanča was obviously chosen for those successful efforts because of the beauty of her creamy, powerful voice and her extraordinary dramatic skills.
Garanča possesses a large repertory of operatic roles, and her concert and recital repertory is also broad.
Garanča was born on September 16, 1976, in Riga, Latvia, then part of the Soviet Union. Both of her parents were professional musicians: her father was a choral conductor, and her mother was a singer and voice teacher at the Latvian Academy of Music and Latvian National Opera. In 1996, she enrolled at that same academy and studied voice with Sergei Martinov, and later studied in Austria and the U.S.
Garanča had a watershed year in 1999. She became a member of the Meiningen Opera (Südthüringisches Staatstheater) and also won the Mirjam Helin Singing Competition in Finland. The following year, she joined the
Frankfurt Opera, where she sang several roles, including Rosina in
Rossini's The Barber of Seville. In 2001, her first recording,
Arie Favorite, featuring arias by
Mozart,
Donizetti, and Bellini, was issued on the Ondine label.
Garanča followed her 2003 Salzburg Festival triumph with a string of impressive debuts, including at the Vienna State Opera (2004) and Paris Opera (2005), both in the role of Dorabella.
Garanča signed an exclusive recording contract with Deutsche Grammophon in 2005, the first fruits coming in 2006 with the
Mozart Album, which also featured
Netrebko.
Garanča's 2008 debut at the
Metropolitan Opera was a sensation, and she followed with equally impressive performances at the Deutsche Oper in Berlin in
Richard Strauss' Der Rosenkavalier and the Bavarian State Opera in Munich in Bellini's Norma. Among her subsequent recordings was Aria Cantilena on Deutsche Grammophon, a collection of songs and arias by Offenbach,
Villa-Lobos, and others.
Along with Deutsche Grammophon and Ondine,
Garanča's recordings are available on Virgin Classics, TDK, and Erato, among others. The 2010s saw continued triumphs for
Garanča, both on the operatic stage and in the recording studio, including being named Vocalist of the Year in 2010 by Musical America.
Romantique, her recording of arias with the Filarmonica del Teatro Comunale di Bologna, won the prestigious ECHO Klassik award in 2013. Several other
Garanča albums, including 2016's
Revive and 2017's
Mozart and Vivaldi, have been thematically organized collections of arias from major operas. On-stage, she has continued to favor mainstream Italian and French roles, returning to the
Metropolitan Opera in
Donizetti's Roberto Devereux in 2016, and she starred in a Staatsoper Berlin production of Samson et Dalila in the 2019-2020 season, under
Daniel Barenboim.
Garanča's 2019 release, Sol y Vida, earned her the Singer of the Year award from Opus Klassik in 2020. She joined
Barenboim and the
Staatskapelle Berlin on a recording of
Elgar's Sea Pictures, which was issued in 2020.
Garanča is married to conductor
Karel Mark Chichon, with whom she has two daughters. She is the author of an autobiography, Wirklich wichtig sind die Schuhe.