* En anglais uniquement
Best known as the drummer in one of the longer incarnations of
King Crimson (January 1971-April 1972) and as a drummer for
Bob Dylan,
Jackson Browne,
Bonnie Raitt, and
Crosby, Stills & Nash,
Ian Wallace was one of rock's busier drummers for more than half a century.
Wallace's rock credentials went back to 1963 and a band called
the Warriors, whose membership included a young vocalist named
Jon Anderson, as well as future
Badger bassman David Foster. The Warriors lasted until the end of 1967 --
Wallace's next band was the World, featuring
the Bonzo Dog Band's
Neil Innes on vocals, guitar, and keyboards, which lasted six months in 1970. Finally, in the spring of 1971,
Wallace joined
King Crimson in the wake of the collapse of the interim lineup of the group.
This version of
King Crimson was a great performing unit, but its unity was always in doubt, especially when rumors began abounding of an impending breakup within six months of its formation. They toured extensively and won a serious following, but internally their relations were a nightmare, as
Wallace and his bandmates
Boz Burrell and
Mel Collins insisted on a degree of autonomy as composers that clashed with guitarist and original bandmember
Robert Fripp's musical vision of the group. During the first six months of his work with
Crimson,
Wallace's playing broke some new ground on-stage when
Peter Sinfield, the group's lyricist and computer expert, used a VCS-3 synthesizer to process the sound of
Wallace's drums. Additionally, subsequently released live tapes of that version of
King Crimson, following
Sinfield's exit but before the breakup of the whole unit, have revealed the full complexity of
Wallace's playing with the band, and even
Fripp has noted the quality of his work in live performance during those years.
As it turned out,
Wallace,
Burrell, and
Collins turned out to enjoy working together more than they did working for
Fripp, and they quit the band en masse in the early spring of 1972. They immediately hooked up with
Alexis Korner and
Peter Thorup, playing with them of the remainder of 1972.
Wallace continued working with
Korner for two years and on four albums, and also played with
Steve Marriott,
Big Jim Sullivan, and
Alvin Lee. In 1978, he became
Bob Dylan's drummer, beginning with the
Street Legal album and continuing on the subsequent tour and the
Live at Budokan album as well. During the 1980s,
Wallace also played with
Ron Wood,
David Lindley,
Jon Anderson,
Stevie Nicks,
Don Henley,
Graham Nash,
Jackson Browne,
Bonnie Raitt,
the Traveling Wilburys, and
Roy Orbison. In the 1990s, he played with
Joe Walsh and
Don Henley, but much of
Wallace's activity centered around his own label, Artist Road Records of Santa Fe, NM.
Wallace's work moved more in the direction of jazz in tandem with his business partner in Artist Road, pianist
Brian Trainor, and guitarist
Larry Coryell was among the musicians he played with during this period.
During the 2000s
Wallace issued his only solo album, Happiness with Minimal Side Effects (2003), and he also revisited his
King Crimson legacy, joining
the Crimson Jazz Trio (appearing on the group’s 2005 release King Crimson Songbook, Vol. 1) and the 21st Century Schizoid Band (appearing on the 2006 album Pictures of a City: Live in New York). In 2006
Wallace was diagnosed with esophageal cancer, and he succumbed to the disease at 60 years of age on February 22, 2007, in Los Angeles.
The Crimson Jazz Trio’s
King Crimson Songbook, Vol. 2 had been completed -- with assistance from
Crimson reedman
Mel Collins on two tracks -- prior to
Wallace’s death, and was released in 2009. ~ Bruce Eder