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A singer/songwriter of considerable grace and wit,
Nick Lowe pioneered pub rock and punk, then settled into a dignified third act as an elegant crooner.
Lowe started his career as the nominal leader of
Brinsley Schwarz, a ragged collection of hippies that helped create the pub rock circuit of the early 1970s. Heavily influenced by
the Band, the Brinsleys were at the forefront of a British back-to-basics rock & roll that eventually mutated into punk rock. After
Brinsley Schwarz split,
Lowe aligned himself with punk and new wave, serving as the house producer for the D.I.Y. label Stiff Records, where he helmed seminal records by
the Damned and
Elvis Costello; he'd later also work with
the Pretenders. His rough, ragged production style earned him the nickname "Basher" and also established the amateurish, D.I.Y. aesthetics of punk. During the heyday of new wave,
Lowe co-led the raucous
Rockpile with
Dave Edmunds, with the pair regularly appearing on each other's solo albums into the early 1980s. For
Lowe, the high-water mark of this period was
Labour of Lust, a 1979 power pop album overspilling with hooks and jokes, a sensibility crystalized on his lone hit, "Cruel to Be Kind." Once
Rockpile disbanded,
Lowe steadily moved toward country-rock, experiencing a renaissance with
The Impossible Bird, a 1994 album that featured "The Beast in Me."
The Impossible Bird led Lowe toward his latter-day incarnation as a sophisticated crooner, a style he maintained even when he hired
Los Straitjackets to give him a little rock & roll kick for a series of EPs he released and recorded between 2018 and 2020.
The son of a British Royal Air Force officer,
Lowe spent part of his childhood stationed in the Middle East before his family settled in Kent. As a teenager, he played in a variety of bands, including Three's a Crowd and Sounds 4 Plus 1, with his friend, guitarist
Brinsley Schwarz. In 1965, the pair formed the guitar pop band
Kippington Lodge, which landed a contract with Parlophone Records the following year. Over the next four years, the group released five singles, but none received much attention. In 1969,
Kippington Lodge evolved into the country-rock band
Brinsley Schwarz, who secured a record contract with United Artists the following year. At the outset of their career,
the Brinsleys attempted to gain fame by holding a showcase concert at the Fillmore East, but the publicity stunt backfired, making them outcasts from the British music scene by the time their first album was released. Over the next five years, the group slowly built a following as the leading exponents of pub rock, a back-to-basics movement of good-time rock & roll that found a niche in the early '70s.
With their unassuming appearance and unpretentious music, pub rockers set the stage for punk rock in the late '70s, not only by relying on three-chord rock & roll, but also by establishing a circuit of pubs to play. Of all the old-guard pub rockers,
Lowe was the most significant in the development of punk rock. By the time
Brinsley Schwarz broke up in 1975, he had already gained a reputation as an excellent, eccentric songwriter, and he was beginning to produce artists like
Graham Parker,
Dr. Feelgood, and the Kursaal Flyers. At the time, his songwriting was veering away from the country-rock and bluesy rock that distinguished his
Brinsley work, and he was beginning to write inventive pop songs.
Lowe wanted to leave United Artists, but the label refused to let him go, so he proceeded to record a series of deliberately unmarketable singles in hopes of getting kicked off the label. The first was "Bay City Rollers We Love You," a tongue-in-cheek tribute to the teen pop sensations credited to the Tartan Horde. Inexplicably, the single became a hit in Japan -- the Japanese branch of UA even asked for a full album -- and the label kept him as an artist. However, after "Let's Go to the Disco," credited to
the Disco Brothers, UA dropped him.
After leaving the label,
Lowe became the first artist on
Jake Riviera and Dave Robinson's fledgling independent label Stiff Records, as well as the label's in-house producer. Recorded for just 65 pounds and released in the summer of 1976, "So It Goes"/"Heart of the City" became the first British proto-punk single of the late '70s, earning glowing reviews if not sales.
Lowe began producing records at a rapid rate, helming
the Damned's debut album,
Damned Damned Damned -- the first British punk album -- and
Costello's
My Aim Is True in 1977; he would produce all of
Costello's albums between
My Aim Is True and 1981's
Trust.
Lowe also produced singles by
Wreckless Eric, the Rumour, and
Alberto y los Trios Paranoias, as well as
Graham Parker's early albums. In the summer, he became part of
Dave Edmunds' touring band
Rockpile, which would become his backing band within a year. He also released the Bowi EP (a play on the title of
David Bowie's Low LP) in 1977, and toured with the Stiff package tour Live Stiffs before leaving the label with
Costello to join
Riviera's new label, Radar Records.
Lowe released his debut album,
Jesus of Cool (retitled Pure Pop for Now People for its American release), in 1978, which featured his first British Top Ten hit, "(I Love the Sound Of) Breaking Glass." The single "American Squirm" was released in the fall of 1978 to little success. After producing
the Pretenders' debut single, "Stop Your Sobbing,"
Lowe recorded his second album,
Labour of Lust, supported by
Rockpile;
Edmunds'
Repeat When Necessary was recorded at the same session.
Labour of Lust featured
Lowe's one big American hit, "Cruel to Be Kind," which was a reworked version of an old
Brinsley Schwarz song. Between the recording and touring in 1979,
Lowe married
Carlene Carter, the stepdaughter of
Johnny Cash; he would produce her albums
Musical Shapes (1980) and Blue Nun (1981).
Lowe and
Edmunds toured with
Rockpile to support their respective 1979 albums, and the pair were the subject of the BBC documentary Born Fighters later that year.
Rockpile became notorious for their wild, frequently drunken performances and their spirited selection of originals and obscure covers. In 1980, the bandmembers decided to record an album together, but the sessions were plagued by tension between
Lowe and
Edmunds.
Seconds of Pleasure, the group's lone album, was released in the fall of 1980 to mixed reviews; it generated one hit single, the Eddie Phillips-written "Teacher Teacher."
Rockpile split only months after the release of
Seconds of Pleasure, with the remaining members choosing to support
Edmunds on his solo album.
Lowe returned with
Nick the Knife in February of 1982, supporting the album with a band featuring guitarist
Martin Belmont and keyboardist
Paul Carrack; the group was first called
the Chaps, but their name changed to Noise to Go during the American tour.
Nick the Knife was a moderate hit, but its follow-up, 1983's
The Abominable Showman, was a flop.
Lowe retaliated by shifting his music toward roots rock on his 1984 album And His Cowboy Outfit. Both Cowboy Outfit and its 1985 successor,
Rose of England, were greeted with positive reviews and improved sales; the former featured his last U.K. hit, "Half a Boy Half a Man," and the latter featured his last U.S. hit, a reworking of his chestnut "I Knew the Bride (When She Used to Rock & Roll)." In 1986, he reunited with
Costello to produce
Blood & Chocolate. The album was one of many -- including efforts by
the Fabulous Thunderbirds,
John Hiatt, and
Paul Carrack -- he produced in the '80s.
During much of the mid-'80s,
Lowe suffered from alcohol abuse, but with the assistance of his old mates
Costello and
Riviera, he recovered and gave up looking for a crossover pop hit, concentrating on country-rock and roots rock.
Pinker and Prouder Than Previous (1988) was the first indication of this shift in style, but the record largely went unnoticed. Produced by
Dave Edmunds, Party of One (1990) became his first charting album since 1985. Later that year,
Lowe divorced
Carter. The following year, he formed the supergroup
Little Village with
John Hiatt,
Ry Cooder, and
Jim Keltner; all of the musicians played on
Hiatt's 1987 breakthrough album,
Bring the Family.
Little Village were fraught with tension, and their eponymous 1992 album and its supporting tour suffered as a result. The group disbanded upon the tour's conclusion. While he was working on material for a new album,
Lowe's
Brinsley Schwarz composition "(What's So Funny 'Bout) Peace, Love and Understanding," which had previously been a hit for
Costello, was covered by
Curtis Stigers for the soundtrack to
Whitney Houston's film The Bodyguard. The album became the biggest-selling soundtrack in history and, in the process,
Lowe unexpectedly became a millionaire from the songwriting royalties.
Lowe made a comeback in 1994 with the straight country LP
The Impossible Bird. Hailed as his finest effort in years, the album became a hit in the burgeoning Americana movement in the U.S., and he supported the album with his first solo tour in five years; his touring band featured former
Commander Cody guitarist
Bill Kirchen. In 1998,
Lowe returned with
Dig My Mood, followed by a series of three albums for Yep Roc: 2001's
The Convincer, 2004's live
Untouched Takeaway, and 2007's
At My Age. His fourth outing for the label,
The Old Magic, followed in 2011 to bigger sales numbers than his other Yep Roc titles due to nearly universal critical acclaim. Two years later,
Lowe returned with
Quality Street: A Seasonal Selection for All the Family, his first collection of Christmas music.
Lowe supported
Quality Street with a tour where he was backed by the instrumental group
Los Straitjackets. The pairing was so successful that the group cut a collection of
Lowe covers called
What's So Funny About Peace, Love and Los Straitjackets in 2017. That same year,
Lowe's out of print albums from the '80s were reissued by Yep Roc.
Lowe brought
Los Straitjackets into the studio as his supporting band for the EP "Tokyo Bay"/"Crying Inside," which appeared in June 2018. Another tour with
Los Straitjackets followed in support, and then
Lowe released the "Love Starvation"/"Trombone" EP in May 2019. Later that summer,
Will Birch published the biography Cruel to Be Kind: The Life and Music of Nick Lowe. Lay It on Me,
Lowe's third EP with
Los Straitjackets, arrived in June 2020. Among the EP's three additional songs was an instrumental cover of
Shocking Blue's "Venus" by
Los Straitjackets, a cut that represented
Lowe's first production credit in a quarter-century. ~ Stephen Thomas Erlewine