* En anglais uniquement
The foundations of Jamaica's drumming style were set by the innovative playing of
Sly Dunbar (born: Lowell Fillmore Dunbar). As one-half of the Riddim Twins,
Dunbar joined with bassist
Robbie Shakespeare to provide the rhythm section and/or production for recordings by reggae artists including
Peter Tosh,
Black Uhuru,
the Mighty Diamonds, and
U-Roy and non-Jamaican performers including
Bob Dylan,
Grace Jones,
the Rolling Stones,
Joe Cocker,
Ian Dury,
Herbie Hancock,
Maxi Priest,
Cindy Lauper,
Carly Simon,
KRS-One, and
Queen Latifah.
Sly & Robbie's own albums include
Friends, which received a Grammy award as "Best Reggae Album" in 1999. On his own,
Dunbar has recorded four solo albums -- Simply Sly Man in 1976,
Sly, Wicked and Slick in 1977, Sly Go Ville in 1982, and Reggae Drumsplash, an encyclopedic exploration of Jamaican rhythms that includes 843 sampled loops, in 1997. According to Keyboard Magazine, "(
Dunbar's) electro/acoustic shuffles and stomps are second to none".
Dunbar's earliest inspiration for playing the drums was sparked while watching
Lloyd Knibbs and
the Skatalites on television. During a 1997 interview, he recalled, "I saw (
Knibbs) playing and I thought, 'I want to be a drummer' because he's the hardest worker in the band. He's my idol! In some ways, I'm self-taught but I got a lot of help from other drummers by watching them play."
Dunbar, whose nickname was reportedly given to him for his passion for
Sly & the Family Stone, launched his musical career while still in his teens, playing with a local group, the Yardbrooms at the age of 15. His recording debut came, in 1969, when he appeared on an album,
Double Barrel, by
Dave and Ansell Collins. He subsequently continued to play with Ansell Collins in a band,
Skin, Flesh and Bones.
Meeting
Robbie Shakespeare, then playing bass for
the Hippy Boys, in 1972,
Dunbar began a life-long friendship.When
Shakespeare was asked to recommend a drummer for a recording session for producer
Bunny Lee's Aggrevators, he remembered
Dunbar. Following the session,
Dunbar and
Shakespeare agreed to keep working together.Their first break came when they accompanied
Peter Tosh on his album,
Legalize It!, in 1976. The duo continued to play with
Tosh's band until 1979, recording four additional albums --
Equal Rights,
Bush Doctor,
Mystic Man, and
Wanted: Dread And Alive, and producing
Tosh's hit duet with
Mick Jagger, "(Keep On Walking) Don't Look Back)," in 1978. According to legend, the duo lived on bread and water while touring with
Tosh, to save enough money to start their own production company. Their persis tance paid off. Shortly after leaving
Tosh's group,
Dunbar and
Shakespeare launched Taxi Productions and formed a studio band, The Taxi All-Stars.Their first session yielded a number one Jamaican hit, "Soon Forward," for
Gregory Isaacs.
Dunbar and
Shakespeare's most enduringcollaborationn has been with
Black Uhuru, with whom they've toured and produced six albums -- Showcase, Red,
Sinsemilla, Chill Out, Anthem, and Dub Factor. Among their earliest work with non-Jamaican artists were three albums --
Warm Leatherette, released in 1980,
Nightclubbing, released in 1981, and
Living My Life, released in 1982 -- by
Grace Jones. In 1997,
Dunbar and
Shakespeare produced a chart-topping single, "Dancehall Queen," for
Beenie Man and
Chevell Franklyn. ~ Craig Harris