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With his astonishingly accomplished guitar playing,
Stevie Ray Vaughan emerged as one of the leading modern electric blues artists of his generation, helping to reignite interest in the genre from the '80s onward.
Vaughan drew equally from bluesmen like
Albert King,
Otis Rush, and
Muddy Waters and rock & roll players like
Jimi Hendrix and
Lonnie Mack, as well as the stray jazz guitarist like
Kenny Burrell, developing a uniquely eclectic and fiery style that sounded like no other guitarist, regardless of genre.
Vaughan bridged the gap between blues and rock like no other artist had since the late '60s. He also enjoyed crossover success, collaborating with artists like
David Bowie,
James Brown, and
Stevie Wonder, and scoring mainstream rock hits like "Pride and Joy" and "Crossfire." All of this helped his albums like 1983's
Texas Flood, 1984's
Couldn't Stand the Weather, and 1985's Grammy-winning Soul to Soul earn gold status. He cracked the Top Ten of the Billboard 200 collaborating with his equally talented brother guitarist
Jimmie Vaughan on 1990's
Family Style. However, his tragic death that same year only emphasized his enduring influence in blues and American rock & roll.
Born and raised in Dallas,
Vaughan began playing guitar as a child, inspired by older brother
Jimmie. When he was in junior high school, he began playing in a number of garage bands, which occasionally landed gigs in local nightclubs. By the time he was 17, he had dropped out of high school to concentrate on playing music.
Vaughan's first real band was the Cobras, who played clubs and bars in Austin during the mid-'70s. Following that group's demise, he formed Triple Threat in 1975. Triple Threat also featured bassist
Jackie Newhouse, drummer
Chris Layton, and vocalist
Lou Ann Barton. After a few years of playing Texas bars and clubs,
Barton left the band in 1978. The group decided to continue performing under the name
Double Trouble, which was inspired by the
Otis Rush song of the same name;
Vaughan became the band's lead singer.
For the next few years,
Stevie Ray Vaughan and Double Trouble played the Austin area, becoming one of the most popular bands in Texas. In 1982, the band played the Montreux Festival and their performance caught the attention of
David Bowie and
Jackson Browne. After
Double Trouble's performance,
Bowie asked
Vaughan to play on his forthcoming album, while
Browne offered the group free recording time at his Los Angeles studio, Downtown; both offers were accepted.
Stevie Ray laid down the lead guitar tracks for what became
Bowie's
Let's Dance album in late 1982. Shortly afterward, John Hammond, Sr. landed
Vaughan and Double Trouble a record contract with Epic, and the band recorded its debut album in less than a week at Downtown.
Vaughan's debut album,
Texas Flood, was released in the summer of 1983, a few months after
Bowie's
Let's Dance appeared. On its own,
Let's Dance earned
Vaughan quite a bit of attention, but
Texas Flood was a blockbuster blues success; receiving positive reviews in both blues and rock publications, reaching number 38 on the charts, and crossing over to album rock radio stations.
Bowie offered
Vaughan the lead guitarist role for his 1983 stadium tour, but he turned him down, preferring to play with
Double Trouble.
Vaughan and Double Trouble set off on a successful tour and quickly recorded their second album,
Couldn't Stand the Weather, which was released in May of 1984. The album was more successful than its predecessor, reaching number 31 on the charts; by the end of 1985, the album went gold.
Double Trouble added keyboardist
Reese Wynans in 1985, before they recorded their third album, Soul to Soul. The record was released in August 1985 and was also quite successful, reaching number 34 on the charts.
Although his professional career was soaring,
Vaughan was sinking deep into alcoholism and drug addiction. Despite his declining health,
Vaughan continued to push himself, releasing the double-live album
Live Alive in October of 1986 and launching an extensive American tour in early 1987. Following the tour,
Vaughan checked into a rehabilitation clinic. The guitarist's time there was kept fairly quiet, and for the next year
Stevie Ray and Double Trouble were virtually inactive.
Vaughan performed a number of concerts in 1988, including a headlining gig at the New Orleans Jazz & Heritage Festival, and wrote his fourth album. The resulting
In Step appeared in June of 1989 and became his most successful album, peaking at number 33 on the charts, earning a Grammy for Best Contemporary Blues Recording, and going gold just over six months after its release.
In the spring of 1990,
Stevie Ray recorded an album with his brother
Jimmie, which was scheduled for release in the fall of the year. In the late summer of 1990,
Vaughan and Double Trouble set out on an American headlining tour. On August 26, 1990, their East Troy, Wisconsin gig concluded with an encore jam featuring guitarists
Eric Clapton,
Buddy Guy,
Jimmie Vaughan, and
Robert Cray. After the concert,
Stevie Ray boarded a helicopter bound for Chicago. Minutes after its 12:30 a.m. takeoff, the helicopter crashed, killing
Vaughan and the other four passengers. He was only 35 years old.
Family Style,
Stevie Ray's duet album with
Jimmie, appeared in October and entered the charts at number seven.
Family Style began a series of posthumous releases that were as popular as the albums
Vaughan released during his lifetime.
The Sky Is Crying, a collection of studio outtakes compiled by
Jimmie, was released in October of 1991; it entered the charts at number ten and went platinum three months after its release.
In the Beginning, a recording of a
Double Trouble concert in 1980, was released in the fall of 1992 and the compilation Greatest Hits was released in 1995. In 1999,
Vaughan's original albums were remastered and reissued, with
The Real Deal: Greatest Hits, Vol. 2 also appearing that year. 2000 saw the release of the four-disc box SRV, which concentrated heavily on outtakes, live performances, and rarities. ~ Stephen Thomas Erlewine