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Playing sharp, tuneful songs with a hint of psychedelia and some challenging melodic angles,
the dB's were the band that bridged the gap between classic '70s power pop (defined by bands such as
Big Star,
Badfinger, and
the Scruffs), and the jangly new wave of smart pop personified by
R.E.M. While
the dB's spent the bulk of their career living and working on the East Coast, they were the among the first and most important representatives of the Southern branch of the new wave; most of the group's members hailed from North Carolina, bringing a Southern warmth to music that sometimes sounded cold and sparse in the hands of others. 1981's Stands for Decibels was their critically celebrated debut, 1984's
Like This blended their clever pop hooks with a more engaging production, 2012's
Falling Off the Sky was a reunion album not beholden to their past, and 2021's
I Thought You Wanted to Know: 1978-1981 offered a fresh look at their early years.
The dB's story begins in Winston-Salem, North Carolina, which in the early '70s was home to a pair of aspiring rock musicians,
Chris Stamey and
Peter Holsapple, both of whom played guitar, sang, and wrote songs. Friends since grade school,
Stamey and
Holsapple shared a fondness for both classic pop and hard rock; teaming with similarly talented Winston-Salem native
Mitch Easter, they formed a band called Rittenhouse Square, who released a homemade album in 1972 but broke up shortly afterwards. In 1975,
Stamey and
Easter formed a new band with local drummer
Will Rigby called
the Sneakers, while
Holsapple launched a combo called the H-Bombs.
The Sneakers played a prescient brand of upbeat power pop and released a well-reviewed EP in 1976, but the band broke up in 1977 when
Stamey left North Carolina to attend college in New York City. While in New York,
Stamey crossed paths with fellow Southern exile
Alex Chilton, and soon landed a gig playing bass with the former
Big Star frontman.
Stamey wasted no time immersing himself in the lively New York music scene, and opted to form a band of his own.
Stamey invited
Will Rigby and another North Carolina musician,
Gene Holder, to come to New York and play some shows with them, and all three were happy enough with the results that
Rigby and
Holder settled in New York. Their new band, Chris Stamey & the dB's (with dB's standing both for "drums and bass" and the unit of measure for audio volume) became a going concern, with
Stamey recording a single with the group in 1978, which he released through his own Car Records label. When
Stamey learned that the H-Bombs had broken up and
Holsapple was having trouble finding sympathetic musical collaborators after moving to Memphis, he invited
Holsapple to come to New York and
the dB's became a quartet, with
Holsapple playing both guitar and organ.
The dB's set up a rehearsal space in the loft that was home to the music magazine New York Rocker, and the group was soon cutting demos on a four-track tape machine, including a tongue-in-cheek jingle for the magazine. Before long,
the dB's were playing regularly on the New York club circuit and doing short tours through the East Coast and Midwest, and
Holsapple began contributing more material to the group. In 1980, the independent Shake Records label released the first proper
dB's single, "Black and White" b/w "Soul Kiss," and the group began work on an album.
The dB's were unable to score an American record deal, but an independent label in the U.K., Albion Records, offered them a contract, and their debut album, Stands for deciBels, was released in early 1981.
The dB's flew to England to play some shows in support, including a showcase of New York and Hoboken-based groups (including
the Fleshtones,
the Bongos, the Raybeats, and
the Bush Tetras) that was recorded for a live sampler LP released by Stiff Records under the title Start Swimming. While in the U.K.,
the dB's also backed former
Soft Boys guitarist
Kimberley Rew for a recording session; the results appeared on
Rew's album
The Bible of Bop.
After returning to New York,
the dB's began writing and demoing material for their second album, Repercussion, which was issued in early 1982. However, a few months later,
Stamey quit the group to launch a solo career. Through much of 1982,
Holsapple played solo shows and
Holder dabbled in production, but in 1983, the group finally landed an American record deal, with the Warner Bros.-distributed Bearsville Records.
The dB's recorded
Like This as a trio, with
Holder doubling on guitar and bass and
Holsapple taking lead vocals; the album was released in the fall of1984, and the band was invited to tour with
R.E.M., with new bassist Rick Wagner restoring the group to a four-piece. Despite good reviews and promising radio airplay,
the dB's hit a snag when Bearsville's distribution agreement with Warner Bros. ended and WB stopped working the album. Undaunted,
the dB's set out on a tour in 1985 with
Chris Stamey's new group and
Let's Active, fronted by
Stamey and
Holsapple's former bandmate
Mitch Easter. The tour also introduced fans to
the dB's' new bassist, Jeff Beninato, who came aboard after Wagner was let go. The group briefly reunited with
Stamey to record the song "Christmas Time," which became the title track of a seasonal compilation
Stamey released in 1986, while
Holder began dividing his time between
the dB's and another band, the Wygals. In early 1986, Albert Grossman, the owner of Bearsville Records, died unexpectedly, and when it was discovered he had not drawn up a will,
the dB's (like the other bands on the label) found themselves stranded as Bearsville went out of business and lawyers debated who owned their contracts. It wasn't until the spring of 1987 that
the dB's became free agents; during their downtime, they had secretly negotiated a deal with IRS Records, so they immediately signed with IRS and went into the studio to cut their fourth album, The Sound of Music. The Sound of Music was
the dB's most polished and commercially oriented album, but during the recording,
Holder announced he would leave the band once the album was completed to devote more time to the Wygals. When
the dB's hit the road in support of the album in September 1987, Harold Kelt was playing guitar and keyboards with them. The tour included a string of dates with
R.E.M., who were enjoying a commercial breakthrough with the album
Document, but
R.E.M.'s new, larger audience didn't react warmly to
the dB's, and
the dB's felt Kelt was a poor fit for the band. Eric Peterson, who as fate would have it was a former member of the Wygals, joined
the dB's for a further round of touring in 1988, including dates in Europe with
Alex Chilton, and the band began cutting demos for a fifth album. However, in October 1988,
Rigby announced he was leaving the band after becoming a new father, and
Holsapple decided it was time to retire
the dB's. The 1988 demos were belatedly released in 1994 on the album Paris Avenue, while a set of earlier four-track recordings were compiled in the album Ride the Wild TomTom.
After the end of
the dB's,
Peter Holsapple worked as a sideman with
R.E.M. and
Hootie & the Blowfish, as well as forming the roots rock band
the Continental Drifters with his then-wife
Susan Cowsill.
Gene Holder continued to perform with the Wygals and worked steadily in the studio, producing material for
Yo La Tengo, the Individuals, and
Luna.
Will Rigby cut a pair of idiosyncratic solo albums and drummed with
Steve Earle,
Matthew Sweet,
Laura Cantrell, and
Tommy Womack.
Chris Stamey pursued his solo career while establishing himself as a producer and engineer of note. And in 1991,
Stamey and
Holsapple teamed up for a duo album,
Mavericks, which featured a guest appearance from
Gene Holder.
Stamey and
Holsapple recorded another duo album in 2009,
Here and Now, which featured
Holder and
Rigby on one cut, "Santa Monica." In 2005, the
Stamey/
Holsapple/
Holder/
Rigby lineup of
the dB's reunited to play live shows in Chicago and Hoboken, and after playing occasional concerts since, the group began work on a new album. A new single, "Picture Sleeve" b/w "Write Back," was released for Record Store Day in 2011, and in the summer of 2012, the long-brewing reunion album
Falling Off the Sky was released by Bar-None Records. A third duo album from
Stamey and
Holsapple, 2020's
Our Back Pages, featured spare, semi-acoustic reworkings of a number of songs from the
dB's songbook. 2021 saw the release of
I Thought You Wanted to Know: 1978-1981, an anthology devoted to early singles, unreleased studio material, and live recordings from the group's first era. ~ Mark Deming