* En anglais uniquement
The The is the guise of
Matt Johnson, a mercurial singer/songwriter whose music has run the gamut from new wave and post-punk to dance-pop and country. Emerging in 1979,
The The found commercial success in the 1980s with the albums
Soul Mining,
Infected, and
Mind Bomb, which skillfully fused melodic synth pop with heady, socio-political alternative rock -- 1993's more guitar-forward
Dusk also drew accolades. The reclusive
Johnson spent the next 14 years concentrating on soundtrack work for documentaries, films, and art installations before returning to
The The in 2017 for a series of live performances. In 2021, the group issued the concert LP The Comeback Special on
Johnson's own Cinéola label.
Born August 15, 1961, in London,
Johnson was raised in the flat above his father's pub, the Two Puddings, a haven for well-known celebrities and criminals; he was also exposed to music at the nightclubs and dancehalls owned by his uncle, where he saw performers like
Howlin' Wolf,
the Kinks, and
Muddy Waters.
Johnson formed his first band, Roadstar, when he was 11; at the age of 15, he was hired as a tea boy for the DeWolfe music publishing company, and within three years, he was working in their recording studio as an assistant engineer.
After the demise of the duo
the Marble Index in 1979,
Johnson formed the first incarnation of
The The with synth player
Keith Laws; after playing their debut gig opening for
Scritti Politti, the group issued its first single, "Controversial Subject," on the 4AD label in 1980. A year later, contractual obligations forced
Johnson to issue the LP
Burning Blue Soul under his own name; that year, he also recorded as a guitarist with the band the Gadgets, and
The The contributed a track to the Some Bizzare Album compilation.
In 1982,
The The -- now essentially a
Johnson solo project, backed by a revolving coterie of musicians -- recorded the album The Pornography of Despair, which a dissatisfied
Johnson chose not to release; a 1983 single recorded with
Orange Juice's
Zeke Manyika, "This Is the Day," formed the centerpiece of
The The's proper debut, 1983's
Soul Mining, an excursion into dance-flavored pop. Illness sidelined
Johnson for much of the following year, and
The The did not return until 1986's
Infected, an eclectic commentary on the state of Britain in the modern world. Recorded with the aid of talents like
Neneh Cherry,
Art of Noise's
Anne Dudley, and
Swans'
Roli Mosimann,
Infected was also accompanied by an ambitious album-length video.
When
The The returned with the dissonant
Mind Bomb in 1989, they were once again a true band, with
Johnson joined by ex-
Smiths guitarist
Johnny Marr as well as bassist
James Eller and former
ABC drummer
Dave Palmer. The same lineup remained for 1993's pared-down
Dusk, but 1995's
Hanky Panky marked yet another new direction when
Johnson was joined by guitarist
Eric Schermerhorn, keyboardist
D.C. Collard, harmonica player
Jim Fitting, and drummer Brian MacLeod on a brooding covers collection honoring the music of country great
Hank Williams. Despite recording some material in 1997,
Johnson didn't return with a new album until 2000's
NakedSelf, which included
Schermerhorn plus a new rhythm section of
Spencer Campbell and
Earl Harvin. Despite some touring during 2000 and much of 2001, the band dissolved.
Johnson stayed busy, forming his own independent film soundtrack company Cineola, scoring several films over the subsequent ten years (including 2009's Tony, 2010's Moonbug, and 2014's Hyena), forming a publishing company to issue his father Eddie's memoir of life running a notorious pub in East London, and occasionally releasing one-off singles.
Johnson also commenced his Radio Cineola, a "shortwave radio" broadcast in 2010 with previews of upcoming releases, works in progress, chats with collaborators previously unheard material, political and social debate, etc. Broadcasts are helmed by
Johnson and/or guests. In the spring of 2017, on Record Store Day,
The The issued the single "We Can't Stop What's Coming" (with guitarist
Johnny Marr), and played its first tour dates in 17 years. After two shows in London,
Johnson released a triple album titled Radio Cineola Trilogy, comprised of the albums End of the Day (first discussed in 2007, it offered collaborations on
The The songs with some of
Johnson's favorite singers and musicians from around the world), The Inertia Variations (with
Johnson narrating John Tottenham's epic poetic cycle on the subjects of work, avoidance, procrastination, and the wasting of time over an atmospheric soundtrack), and Midnight to Midnight (comprised of interviews and soundscapes taken from
Johnson's 12-hour U.K. Election Day Radio Cineola shortwave broadcast and the electronic score from The Inertia Variations documentary directed by Johanna St. Michaels). A string of tour dates followed in 2018, which were captured and released as a part of a multi-media release titled The Comeback Special, including a live album, a book, and a short film directed by
Tim Pope. Recorded at The Royal Albert Hall in 2018, The Comeback Special was issued in 2021. ~ Jason Ankeny