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Based in Brooklyn, New York,
William Parker is the pre-eminent bassist in modern free jazz. He has released more than 150 titles under his own name -- and hundreds more as a sideman and collaborator.
Parker, who is also a poet, painter, and essayist, co-founded the Improvisers Collective with renowned dancer, choreographer, poet, and life partner Patricia Nicholson. The collective's fulcrum, he plays in nearly all of its ad hoc groups and leads their big band,
the Little Huey Creative Music Ensemble. An important document of their beginnings was the 1995 Black Saint offering
In Order to Survive. As a bassist,
Parker is possessed of a formidable technique. It can be heard as a lead instrument in trios with
Daniel Carter and
Hamid Drake (
Painter's Spring), duos with the drummer (
Piercing the Veil), dozens of recordings with saxophonist
David S. Ware (including Flight of I and
Shakti), and pianist
Matthew Shipp (including Strata and Our Lady of the Flowers). While leading numerous ensembles,
Parker has explored and paid tribute to major artists from the Great Black Music tradition including
Curtis Mayfield (
I Plan to Stay a Believer: The Inside Music of Curtis Mayfield) and
Duke Ellington (
Essence of Ellington). He has also explored jazz subgenres such as soul-jazz, dance, and spoken word, vocal music, and large-scale works. In 2021 he issued a sprawling ten-disc box of unreleased material titled Migration of Silence Into and Out of the Tone World. In 2022 with
Andrew Cyrille and
Enrico Rava, he issued the tribute offering, 2 Blues for Cecil.
Parker grew up in New York City. Very early in his career he formed an association with
Cecil Taylor; he played Carnegie Hall with the pianist in the early '70s.
Parker released his first album as a leader in 1979. Through the Acceptance of the Mystery Peace (on
Parker's own Centering Records) featured saxophonists
Charles Brackeen and Jemeel Moondoc, and violinist
Billy Bang.
Parker became
Taylor's regular bassist in the '80s. He played on several of the pianist's European records, and on
Taylor's 1989 domestic major-label release In Florescence on A&M.
Parker left
Taylor in the early '90s and began working more often as a leader. He released a big-band record for his own label, then began releasing a series of CDs for other companies, significantly Black Saint. Beside his activities as a leader and community organizer,
Parker would continue to work as a sideman through the mid-'90s; he remained the bassist of choice for downtown free players like
David S. Ware,
Matthew Shipp, and
Rob Brown. The year 2000 was particularly busy for
Parker as he recorded three of his own dates, including
Painter's Spring and O'Neal's Porch, and appeared on numerous recordings as a sideman. The following year, in the wake of the World Trade Center terrorist attacks,
Parker's
Little Huey Creative Music Orchestra performed Distillation of Souls, dedicated to its victims, and released the live Raincoat in the River, Vol. 1: ICA Concert. He and drummer
Hamid Drake issued the duet offering
Piercing the Veil through AUM Fidelity, and his Song Cycle (with vocalists
Lisa Sokolov, Ellen Christi, and pianist
Yuko Fujiyama) was released by Boxholder. In 2002,
Parker appeared on no less than 15 albums, among them
Shipp's
Nu Bop,
Ware's Freedom Suite, and
Rob Brown's Round the Bend, as well as four of his own trio and quintet dates. The latter,
Raining on the Moon, featured vocalist
Leena Conquest; he also released
Corn Meal Dance.
In 2003, he toured England with
Spring Heel Jack,
Evan Parker,
Han Bennink,
Shipp, and
J. Spaceman. The album
Live appeared from Thirsty Ear.
Parker toured for much of the year, and released several concert recordings, some cut some years earlier. They included Spontaneous with
Little Huey Creative Music Orchestra at CBGB from the year before, and Never Too Late But Always Too Early with
Drake and
Peter Brötzmann, captured in 2001. The
William Parker Violin Trio issued
Scrapbook, and he appeared on
Shipp's
Equilibrium and numerous other recordings.
Parker's prolific pace continued unabated. The breadth and depth of his various projects as a leader, collaborator, and sideman proved inexhaustible. In 2005, Thirsty Ear released a duet with
Shipp entitled
Luc's Lantern (named for the French film director
Jean Luc Godard), while Eremite issued
Fred Anderson's Blue Winter with
Parker and
Drake in the rhythm section. The following year saw
Parker play on
Kidd Jordan's
Palm of Soul. He also released a duet recording with
Drake entitled Beans,
Little Huey Creative Music Orchestra's For Percy Heath, and Requiem by
the William Parker Bass Quartet featuring
Charles Gayle.
In 2007, Rai Trade released The Inside Songs of Curtis Mayfield while
Parker (who'd begun the project in 2001 and evolved it over subsequent years) was performing the music of
Fats Waller and
Duke Ellington in a dance piece called "On Their Shoulders We're Still Dancing," choreographed by Patricia Nicholson. His own quartet saw the
Petit Oiseux album released while Tamarindo, a trio group with
Tony Malaby and
Nasheet Waits, appeared on a self-titled offering from Clean Feed, and Rogue Art released Alphaville Suite: Music Inspired by the Jean Luc Godard Film by the William Parker Double Quartet. The bassist was named one of the "50 Greatest New York Musicians of All Time" by Time Out New York, received a New York State Music Fund commission for the 2008 long-form work
Double Sunrise Over Neptune, and performed at Vision Festival XII in August. The same year, Beyond Quantum with
Anthony Braxton and
Milford Graves was released by Tzadik, and the archival CT: The Dance Project with
Cecil Taylor and
Masashi Harada was issued by FMP. Among the
Parker-related recordings to appear in 2009 were
Farmers by Nature with
Gerald Cleaver and
Craig Taborn, Washed Away, Live at the Sunside with
Drake and
Sophia Domancich, Moondoc's complete Muntu Recordings box set, and the David S. Ware Quartet Live in Vilnius.
As the second decade of the new century began,
Parker released
I Plan to Stay a Believer: The Inside Songs of Curtis Mayfield, an expanded double-disc compilation of recordings from 2001-2010, via AUM Fidelity. The album made many jazz critics' year-end best-of lists. Centering Records released his
Organ Quartet's
Uncle Joe's Spirit House, and
Parker appeared on over a dozen albums. The year 2011 held many highlights, not least among them Centering's three-disc solo bass box Crumbling in the Shadows Is Fraulein Miller's Stale Cake and Conversations from Rogue Art, which featured the bassist's solos and interviews with other musicians. Farmers by Nature also issued their sophomore effort,
Out of This World's Distortions. No Business released the archival box set Centering: Unreleased Early Recordings 1976-1987 in 2012, while
Altitude, a new recording, appeared from the bassist,
Cleaver, and Joe Morris. The double-disc
Essence of Ellington (billed to
the William Parker Orchestra) was issued by Centering. The critical acclaim for the latter was universal.
In 2013,
Parker was the recipient of a Doris Duke Artist Award. His quartet recorded Live in Wroclove, and he led the trio session
Tender Exploration. AUM Fidelity released the eight-disc box set Wood Flute Songs: Anthology Live 2006-2012, which showcased his various ensembles.
Parker appeared on many archival recordings in 2014 as well as in new trio settings led by
James Brandon Lewis (
Divine Travels) and
Ivo Perelman (Book of Sound). The Farmers by Nature band also issued its third album,
Love and Ghosts.
Parker revived Raining on the Moon for 2015's
The Great Spirit. AUM Fidelity released the three-disc archival box
For Those Who Are, Still. Conversations II: Dialogues & Monologues was issued by Rogue Art, and collected duet performances with
Jordan interspersed with more artist interview snippets. Live at NHKM, in collaboration with Konstruct, was another of the more than 15 recordings the bassist's name was attached to that year. In spring 2016, Centering brought out
Stan's Hat Flapping in the Wind, a series of songs with pianist
Cooper-Moore and
Sokolov on vocals. In July, Song Sentimentale appeared from Otoroku. It was compiled from three nights of concerts at Cafe Oto by
Brötzmann,
Parker, and
Drake, and released as two separate volumes in different formats. Each contained a unique track listing. The following year
Parker was an integral part of two important recording on as many labels: Art of the Improv Trio, Vol. 4 with saxophonist
Ivo Perelman and drummer
Cleaver on Leo, and
Toxic: This Is Beautiful Because We Are Beautiful People with Polish saxophonist
Mat Walerian and pianist
Matthew Shipp on ESP-Disk.
Parker also issued the co-led
Bass Duo with Italian classical bassist
Stefano Scodanibbio for Aum Fidelity. In 2018, via his Centering label,
Parker released the three-disc box set
Voices Fall from the Sky, a premier of two long-form works for singers (the title track and "Essence"), as well as a disc of previously issued songs. He followed it with a double disc companion containing the albums Flower in a Stained-Glass Window and The Blinking of the Ear.
A year later,
Parker and his oldest flagship group,
In Order to Survive, issued the double-length
Live/ Shapeshifter, a program cut live in performance at Shapeshifter Lab in Brooklyn, New York. Co-produced by
Parker and label boss
Steven Joerg, it featured all-new compositions, including the extended suite "Eternal Is the Voice of Love" and "Newark" (dedicated to early group member trombonist
Grachan Moncur III), as well as a new iteration of the band's theme. The group comprised original members pianist
Cooper Moore and alto saxophonist
Rob Brown, as well as drummer
Hamid Drake, who joined in 2012. The set was released in June 2019. The following year,
Parker, guitarist
Nels Cline, and pianist
Thollem McDonas recorded the collective jam Gowanus Sessions II for ESP-Disk. He also served as bassist in an improvisational quartet with
Daniel Carter,
Shipp, and
Gerald Cleaver on the
577 Records' album, Welcome Adventure, Vol. 1.
In January 2021, Aum Fidelity released
Parker's Migration of Silence Into and Out of the Tone World. The ten-disc box was comprised of completely unreleased instrumental and vocal suites (all for women's voices) composed and recorded between 2018 and early 2020. His music drew inspiration from not only jazz and free improvisation, but musical traditions from Africa, Asia, and European sources. The settings, from solo piano to voice and piano duets to works for chamber strings and full-on orchestral jazz ensembles, paired modern and ancient instruments. Singers on these sessions included Raina Sokolov-Gonzalez,
Lisa Sokolov, Ellen Christi, Kyoko Kitamura, and
Andrea Wolper. Pianist
Eri Yamamoto performed
Parker's "Child of Sound" solo.
In September, France's Rogue Art label issued the recording of a 2019 duo concert with
Shipp aptly titled Re-Union. In October, the trio of drummer
Whit Dickey,
Parker and
Shipp released
Village Mothership on Tao Forms; later that month, ESP-Disk issued the collaborative No Joke by
Parker and Patricia Nicholson. January of 2022 saw the TUM release of 2 Blues for Cecil, in collaboration with drummer
Andrew Cyrille and trumpeter
Enrico Rava, in tribute to
Cecil Taylor. In June, the second volume of his collaboration with
Carter,
Cleaver, and
Shipp was released as Welcome Adventure, Vol. 2. ~ Thom Jurek & Chris Kelsey