Paul Groves' and pianist Roger Vignoles' nearly complete survey of the songs of Henri Duparc is a better-than-average addition to Naxos' expansive catalog. Vignoles is an old pro in this repertory, having already recorded all of the Duparc songs with
Thomas Allen and
Sarah Walker on Hyperion in the 1980s. His playing is subtly textured and stylistic, and its gravity shapes these often sprawling songs into coherent dramas in miniature, even if the stormier poems, like "Testament," could use a more full-blooded touch.
Groves is less consistent, singing with polish and commitment on some songs, but sounding more rough-hewn and slightly off-kilter in others, as if he's changing his mind about vocal and musical choices mid-phrase. Also, his treatment of the French language won't please native speakers. Nevertheless, he's well suited to these songs overall, and does a better job than most singers of single-handedly tackling the vocal demands and range of expression that Duparc's small but imposing output covers.
Groves is at his best in more contemplative moments, like opening phrases of "Soupir," where he finds a haunting mixed-voice quality that suits the poem perfectly. Overall, this album represents an excellent value, and a good introduction to the composer's songs.